These members of a globally significant art community set the high standard of the fair, handpicking every exhibiting artist from the hundreds of applications received and ensuring the fair's visitors can buy with the confidence that they are investing in the best of emerging talent.
Tracey Emin’s art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video and installation, to photography, needlework and sculpture. Emin reveals her hopes, humiliations, failures and successes in candid and, at times, excoriating work that is frequently both tragic and humorous.
Emin’s work has an immediacy and often sexually provocative attitude that firmly locates her oeuvre within the tradition of feminist discourse. By re-appropriating conventional handicraft techniques – or ‘women’s work’ – for radical intentions, Emin’s work resonates with the feminist tenets of the ‘personal as political’. In Everyone I’ve Ever Slept With, Emin used the process of appliqué to inscribe the names of lovers, friends and family within a small tent, into which the viewer had to crawl inside, becoming both voyeur and confidante. Her interest in the work of Edvard Munch and Egon Schiele particularly inform Emin’s paintings, monoprints and drawings, which explore complex personal states and ideas of self-representation through manifestly expressionist styles and themes.
Tracey Emin was born in London in 1963, and studied at Maidstone College of Art and the Royal College of Art, London. She has exhibited extensively internationally including solo and group exhibitions in Holland, Germany, Japan, Australia and America. In 2007 Emin represented Britain at the 52nd Venice Biennale, becoming the second female artist to ever do so. That same year, Emin was made a Royal Academician and was awarded an Honorary Doctorate from the Royal College of Art, a Doctor of Letters from the University of Kent and a Doctor of Philosophy from London Metropolitan University. In 2011 she became the Royal Academy's Professor of Drawing and in 2012, Queen Elizabeth II appointed her Commander of the Most Excellent Order of the British Empire for her contributions to the visual arts.
In 2008 Emin had her first major retrospective 20 Years at the Scottish National Gallery of Modern Art, Edinburgh, which toured to CAC, Malaga (2008) and Kunstmuseum Bern (2009). Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba – Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York (2013). Current exhibitions include a solo exhibition at the Museum of Contemporary Art, Miami which opened in December 2013.
Emin's work can be found in numerous public and private collections around the world, including the Albright Knox Gallery, Buffalo; Camden Arts Centre, London; Hara Museum, Tokyo; Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York; Museum van Loon, Amsterdam; National Portrait Gallery, London; Centre Georges Pompidou, Paris; Saatchi Collection, London; Walker Art Centre, Minneapolis; and Tate Britain, London. The artist lives and works in London, England.
Born in Hampshire 1964, Charming Baker spent most of his early life travelling around the world following his father, a Commando in the British Army. At the age of 12, he and his family finally settled in Ripon, North Yorkshire. Baker left school at 16 and worked various manual jobs.
In 1985, having gone back to college, Baker was accepted onto a course at the prestigious Central Saint Martin’s, where he later returned as a lecturer. After graduating, Baker worked for many years as a commercial artist, also developing his personal work.
Solo shows at the Truman Brewery in 2007 and the Redchurch Street Gallery in 2009 were followed by a show in New York in 2010. In 2011, Baker’s London show at the Mercer Street Studios cemented his place as one of the rising stars in the world of Contemporary Art. In 2012, a sculpture entitled ‘Triumph in the face of absurdity’ was displayed in the Victoria and Albert Museum, (the piece, a collaboration for the 2012 Olympics between the artist and Sir Paul Smith). His 2013 LA exhibition entitled ‘Lie Down I Think I Love You’ cemented his relationship with the infamous PMM Art Projects, and caused a mass of media interest across America.
Baker’s work explores well-trodden and intrinsically linked themes; life, love, death, terror, joy, despair… with an underlying reference to the classics and a dark humour. Although primarily a painter with an interest in narrative and an understanding of the tradition of painting, in recent years Baker has produced sculptural pieces in a wide and varied choice of materials, (from the anciently traditional to the not so). Baker is also known to purposefully damage his delicate painting, including drilling, cutting and occasionally shooting them with a shotgun, intentionally and inadvertently putting to question the preciousness of art, and adding to the emotive charge of the work he produces.
Charming Baker lives and works in London.
Yinka Shonibare MBE RA was born in London and moved to Lagos, Nigeria at the age of three. He returned to London to study Fine Art first at Byam Shaw College of Art (now Central Saint Martins College of Art and Design) and then at Goldsmiths College, where he received his MFA, graduating as part of the ‘Young British Artists’ generation. He currently lives and works in the East End of London.
Over the past decade, Shonibare has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalisation. Shonibare’s work explores these issues, alongside those of race and class, through the media of painting, sculpture, photography and, more recently, film and performance. Using this wide range of media, Shonibare examines in particular the construction of identity and tangled interrelationship between Africa and Europe and their respective economic and political histories. Mixing Western art history and literature, he asks what constitutes our collective contemporary identity today. Having described himself as a ‘post-colonial’ hybrid, Shonibare questions the meaning of cultural and national definitions.
Shonibare was a Turner prize nominee in 2004 and awarded the decoration of Member of the “Most Excellent Order of the British Empire”. He has added this title to his professional name. In 2013 he was elected Royal Academician by the Royal Academy of Arts. He was notably commissioned by Okwui Enwezor At Documenta 10 in 2002 to create his most recognised work ‘Gallantry and Criminal Conversation’ that launched him on an international stage. He has exhibited at the Venice Biennial and internationally at leading museums worldwide. In September 2008, his major mid-career survey commenced at the MCA Sydney and toured to the Brooklyn Museum, New York in June 2009 and the Museum of African Art at the Smithsonian Institution, Washington DC in October 2009 . In 2010, 'Nelson's Ship in a Bottle' became his first public art commission on the Fourth Plinth in Trafalgar Square.